Steeped in History: Karaikudi (day 57 and 58)

08th October to 09th October, 2016.


Driving down from Puducherry, we headed for the land of Nattukottai Chettiars, Karaikudi. The drive took us through the red flat lands of interior Tamilnadu.

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Driving to Chettinad
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We soon entered the flat dry plains
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A sunset somewhere along the way
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Managed to catch up with a couple of friends at Trichy
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Good roads and good visibility

While we were a bit sad to leave the coastal route, the destination rewarded us richly. We spent most of our time here looking at jaw dropping houses. Calling these structures houses is an insult to them, and to the tiny flats of Mumbai. On average, these structures have around 20 bed rooms or so, around a central courtyard. The kitchen at the end can comfortably fit three typical one bedroom flats of Mumbai. But it is not the size of these structures that awes you, it is their sheer opulence. For example, most houses have elaborate gateways at their entrance. These wooded structures are carved to the teeth and often covered in silver. The walls are covered in murals, and  Belgian mirrors adorn any empty space on the walls. Ceilings covered in art hold up antique chandeliers.

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A typical street in Kanadukathan, Chettinad
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Most temples here have large ponds. Given how dry this region is, they are of great importance
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Many homes stretch an entire street
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Some homes, such as this, are very well maintained

But with all this opulence and beauty, this region is now a collection of ghost towns. Most of these giant palaces have one or two people (usually octogenarians) living in them. Many others have a family of caretakers who live in one of the many rooms, while other structures are uninhabited, to be opened only for special family functions. The community as such is wealthy, and have little need to derive an income from these homes.

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A few others are not so well maintained
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Most homes have a large number of windows
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Many homes have been dismantled and sold off for their timber
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A small temple with a Chettinad tile roof
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All that is left of a house was this well

However, a few heritage tourism operations have started up in recent times, and Chettinad is slowly staring to see an inflow of tourists. While any house in this region is an impressive sight, we strongly recommend taking a look around Kanadukathan village for some truly impressive structures. One such house is the “Vazhamarathu veedu” with its wooden door frames filled with carvings from mythology.  Another nearby house in the same village has opened half the living space to visitors. The terrace of this house offers a bird’s eye view of the region. .

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The very impressive Vazhamarathu veedu
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A splash of color
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Houses are located very close together
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The sitting area in one of the homes
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Intricate carved door frame
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Every inch of this frame is carved
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Symmetry and beauty
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These pillars are characteristic features of this region’s architecture
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Another door frame
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The veranda next to the central courtyard
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Stone pillars in the kitchen area and store
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The only inhabitant of this giant home, an old caretaker
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When a civil engineer and an architect find a beautiful door
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A door with silver flowers
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Symmetry and beauty
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This drawing room is decorated with chandeliers and mirrors
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A pretty good place for a chat
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Carvings on the ceiling
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Belgian mirrors
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A small collection of vessels from all over the world
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A nice little corner
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A space that was once an office room. No one lives in this house any more

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Most doors line up, creating a central corridor
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Given the heat, these verandas are an excellent idea
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It is easy to forget that you are in a village in south India
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A winding staircase to the terrace
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Going up
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The view from the terrace
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Even the terrace is well decorated
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Our first encounter with an old telephone
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These kitchens once fed over 50 people every day
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Innovative storage spaces

The “Chettinad Palace” in Kanadukathan is no longer open to visitors, but a walk around this building is worth the effort. Similarly, the “Periya veedu” in Athangudi is worth a visit. Unlike the houses at Kanadukathan, this house (which is still very much inhabited) has more western influence, with Belgian mirrors, stained glass work, high ceilings, and arches. The Chettiars were world travelers, and each house is filled with treasures and ideas they collected from different parts of the world.

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The Chettinad palace. It is no longer open to public

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The relatively modern “Periya Veedu”
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Athangudi tiles, still shining after decades
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Central courtyard of ”Periya veedu”

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This hall is decorated to the teeth
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Traditional Indian motifs around a chandelier
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Gadhi and Nileena, who came along for the eastern stretch
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These ladies are painted above a Belgian mirror
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This Ganesh guards one of the many windows
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A mirror on one of the doors
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The colored glass and high ceiling makes this room feel like a church: The dining hall!
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Athangudi tiles come in many complicated patterns
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Like a painting. A door and two windows
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At “Periya Veedu”. This door leads from the hall to the main house

However, these houses are not the only legacy this region has to offer. The village of Athangudi, for example, is also famous for the unique Athangudi tiles. These hand made and colorful floor tiles have a glass like finish. It is said that the process cannot be replicated elsewhere, as the unique soil of the region is necessary for the tiles’ characteristic shine. The process of making these tiles have not changed over the last century. The tiles that were made nearly a century ago can still be seen in some of the old houses, and they are still pretty, sturdy, and attractive.

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Athangudi temple and the temple pond
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Old banyan trees are abundant in this region
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The famous Athangudi tiles. This one is ready to be shipped after being cured in water for a week
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The frame on to which the colors and sand are added
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Each pattern has a mold. Oxides are used for coloring
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Water helps the tiles set and harden
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Repeating patterns are usually preferred
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The second pattern from the same set of tiles
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Tiles waiting for new homes
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The modest work area where these tiles are made. Thanks to a few modern architects, this industry is thriving once more

The village of Kanadukathan hides another attraction in one of its many lanes. There are weavers in this village who still use traditional pit looms (kuzhithari) to weave intricate Chettinad cotton sarees. We stopped at “Mahalakshmi Weavers” to take a look. As it was Navarathri time, the looms were not being operated. However, Mahalakshmi, the lead weaver’s daughter after whom this establishment is named, explained the weaving process to us. This small establishment supplies sarees to many celebrities and politicians, and their pictures adorn the walls. This center does everything from spinning yarn to coloring the thread to weaving. We left this place with a few colorful Chettinad sarees.

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Reels of thread used for making patterns
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A loom readied for work
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The work area with a charka for making thread
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The area was empty as it was Navaratri
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The cotton that is spun is then colored using natural dyes

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The thread is then fed to the loom
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Mahalakshmi explaining how a pattern is made
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Part of a pit loom
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With Mahalakshmi with our purchase

Any write up about Karaikudi is incomplete without mentioning the famous Chettinad cuisine. We strongly recommend any small eatery or road side stalls in this region. These local places serve meals with flavorful chicken, crab, fish and mutton curry, and can give any big hotel a run for their money.

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A local hotel with the best Chettinad mutton curry
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One of the many beautiful entrances
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This colorful green house stood out
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A sunset on the way back

From Chettinad we are off to Rameswaram to explore the best beaches on the east coast.

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